American Hostage A Memoir of a Journalist Kidnapped in Iraq And the Remarkable Battle to Win His Release

Excerpt from American Hostage Micah, Friday, August 13 The four-hour drive south from Baghdad to Nasiriyah was quiet. I kept my eyes down as we passed a Mahdi Army checkpoint on the main road just outside the town of Fajr, the center for Iraq's illicit antiquities trade. One hundred yards farther was a modest Iraqi police checkpoint. The twin checkpoints signaled an uneasy truce that had been struck in the Dhi Qar province, while just a few hours east in Najaf fighting raged between the Mahdi Army and Coalition forces. We drove past the two checkpoints without slowing down. They were a token show of force by both sides, a delicate balance. Stopping cars might upset the balance. We arrived in Nasiriyah at ten a.m. and stopped outside Amir's small translation office in the center of town. Amir got out of the car, looked both ways to see that everything was okay; then I quickly followed him up the stairs with my bags. I didn't know where I would stay that night. I was no longer welcome at the Italian base and had not heard back from my request earlier in the week to stay at the American base. The local hotel for foreigners, the Al-Janoub, was too dangerous. That left the Nasiriyah Museum, Amir's office, or possibly his house, none of which were good options. Amir told me to wait, saying he had good news, and went out, padlocking the door behind him for my safety. I sat on his old sofa thumbing through a worn copy of the Norton Anthology of Modern Poetry, one of many books that lay scattered around his cluttered office, the walls papered with pictures of Don Quixote, French philosophers, and works by local artists. Amir returned a half hour later, smiling, holding my small digital camera. The camera was the smallest of the half dozen we carried, a pocket digital that could shoot a few minutes of grainy video, allowing us to film or photograph without drawing much attention or suspicion. It had been stolen two days before by one of the guards at the Nasiriyah Museum. Mr. Hamdani, an archaeologist and antiquities inspector for the Dhi Qar province, who looked after the museum, had managed to apply enough pressure and, in Amir's words, "the situation was resolved." "Which guard was it?" I asked. "Don't worry," Amir said, "your camera is back." "But which one?" I insisted. "The one who helped you look for it." That was the way things were done. It mattered less who was responsible than that the camera had been returned safely. Since we had an hour to kill before a meeting with Mr. Hamdani at the Nasiriyah Museum, with my camera back we decided to film the market. We headed first to a nearby Internet center so I could check messages. Public places were not safe for foreigners, but I blended in so well by now that no one noticed me unless I spoke: Iraqi haircut, the sort of beige plaid polyester shirt that almost every Iraqi man owned, and, most importantly, a bushy mustache. Amir sat me down at a computer and whispered to me not to say a word, then disappeared to run an errand. Internet centers had sprung up all over Iraq shortly after the war, and were full most days with young men chatting by Internet phone or instant messenger with relatives and friends all over the world. Use of personal computers and Internet communication with the outside world was heavily restricted during the time of Saddam, so most Iraqis typed awkwardly, with two fingers. I sat quietly and checked for an email from Marie-Helene. Nothing. She was traveling and it would be difficult for her to get her email, but the empty inbox was a disappointment. It had been over a week since her last message. Traveling in Iraq had always been dangerous while we were together, but in the two weeks since she'd left things seemed to be getting considerably worse. I wanted to keep her updated on my whereabouts, but since she hadGaren, Micah is the author of 'American Hostage A Memoir of a Journalist Kidnapped in Iraq And the Remarkable Battle to Win His Release', published 0016 under ISBN 9780743276603 and ISBN 0743276604.